Sunday, May 30, 2010
Moving
My best guy friend, Ish, is moving in 5 days. It's a great job opportunity and an excuse to get out of Ohio. :) It is a positive move from him in all regards. Since he decided to take the leap, a few months ago, I have seen a whole different side of him. It's like he blossomed. I am so deeply happy for him and that he is at this wonderful place in his life.
Saturday, May 29, 2010
See I will carry you, through the hurricane waters.
If It All Went Up in Smoke
that smoke would remain the forever savage country poem's light borrowed light of the landscape and one's footprints praise from distance in the close crowd all that is strange the sources the wells the poem begins neither in word nor meaning but the small selves haunting us in the stones and is less always than that help me I am of that people the grass blades touch and touch in their small distances the poem begins -George Oppen | ||
bird wing & a wingless bird.
Only that it should be beautiful,
Only that it should be beautiful,
O, beautiful
Red green blue—the wet lips
LaughingOr the curl of the white shell
And the beauty of women, the perfect tendons
Under the skin, the perfect lifeThat can twist in a flood
Of desireNot truth but each other
The bright, bright skin, her hands wavering
In her incredible need
Friday, May 28, 2010
Mad Men
I started renting season 1 of Mad Men this week. I haven't had cable for 7 years (I find it makes me life more fulfilling without it), so when I want to watch shows, I have to rent them from Blockbuster. I am on disc 2 so far, and I really do like it. If you can get past the terrible sexism and racism (authentic to the era), it's a wonderfully acted, superbly designed show. The clothes are to die for and I could listen to Jon Hamm talk for days. Something about his voice is so soothing to me.
"Nostalgia - it's delicate, but potent. Teddy told me that in Greek, 'nostalgia' literally means 'the pain from an old wound'. It's a twinge in your heart far more powerful than memory alone. This device isn't a spaceship, it's a time machine. It goes backwards, and forwards... it takes us to a place where we ache to go again. It's not called the wheel, it's called the carousel. It let's us travel the way a child travels - around and around, and back home again, to a place where we know are loved". -Don Draper
Three
In windowless rooms never
dark or light I had spent
my thoughts timeblind the oysters
in pans of seawater opening and closing
their shells a numbness staggered
across minutes and some days it took
every ounce of strength to be there the wind
sifting lightly through trees as stunned and un-
regarding I stepped across grass
the dry air bringing in dusk such
feathered perception a singed
petal a trellis each separate loosened
thread of nightfall shaking
the roses before me in the dark
*
There was no record however
having lived I hung the dress
filled the salt cellars in my
ordinary life each gesture
matters as pools of wind cross
through scattered weeds was there
a message the deer held down to drink
snowbirds in the wind holding
very still something
cyclic deep as if a pattern
spread by you could
change what I can feel
*
Or to feel the voice
of your body crowded with
sleep a dark pressure of blood
through corridors I asked
what else could grow
silent before me shaking
after love these beats
under your skin light
falling where the rain was.
Leaves of Grass
Thursday, May 27, 2010
Tuesday, May 25, 2010
The Frightening
Simone Weil
Oh, he's so handsome... just like his reward posters.
I saw Ridley Scott's prequel to "Robin Hood" this weekend with my fam. Underwhelmed seemed the best adjective to describe our generally unanimous opinion of the movie. It was an hour and a half of battles, burnings, and annoying I am Maximus and, "What we do in life echoes in eternity!" speeches.
Honestly? I preferred the cartoon version with singing and dancing foxes, squirrels, and Friar Tuck portrayed as a, what is he? A badger? A mole? Reagrdless, he is damn adorable.
Also working in Ridley's favor but he ruined everything: the fact that I love action movies. Always have. Face/Off was my favorite movie until I was in my teens, and/or realized Nic Cage is a "I only eat animals that have standardized sex" weirdo with atrocious (I cannot state this enough) hair and no acting talents. I can usually ignore the ridiculous plot holes and terrible one-liners in action movies. Here's the ultimate example: I want to see Prince of Persia. Like, really bad. I know it will be cheesy and I'll walk out complaining how my beloved Ben Kinglsey could stoop to such a level of film-making, but secretly I'll love it. Being raised with a dad and two brothers who infiltrated me with Indiana Jones, Star Wars, Arnold, and Jurrasic Park made this affinity for explosions inevitable.
This all goes to say that I do not hold action movies to a very high level of film-expectancy. But Robin Hood was supposed to be historical action, or so I thought. It ended up being just plain boring and not nearly as awesome as it's cartoon predecessor. Independently, I am enthralled by the story of Loxley and all the history and revolution surrounding it. I hoped the movie would fulfill all my secret fantasies for a really good, well acted, educational tale of the notorious thief-savior. Ridley did not give me what I wanted. It was anti-climactic and poorly acted by all but my lover, Cate Blanchett. Who could literally stand in a room holding some batteries and I'd pay to watch it.
So take my advice, don't waste your money, and go sing a song with flute accompaniment in some wooded glen instead of seeing this movie.
Oodelally!
After a 100 year wait...
Before he died, author Mark Twain made provision in his last will and testament that an autobiography he'd been working on for the last decade of his life was not to be released until he had been dead for a century. Twain passed away in 1910. Now that the hundred years has ellapsed, Twain's manuscript--along with handwritten notes--of five thousand pages is about to be released.
Until now, the University of California, Berkeley has had the manuscript in a vault per Twain's request. They are now planning on to release the first volume of what will ultimately be a trilogy, with a release date in November of this year.
Although, excerpts of the autobiography have appeared in print, showing up in various biographies, this will be the first time that the manuscript in its entirety will be released.
The autobiography is expected to show a different side of Twain than the crusty humorist. There are sections where Twain discusses friends, acquaintences, and others in very cruel terms. Mark Sheldon, author of recently published Man in White, a biography of Twain in the last years of his life, said about the autobiography, "He had doubts about God, and in the autobiography, he questions the imperial mission of the US in Cuba, Puerto Rico and the Philippines. He's also critical of [Theodore] Roosevelt, and takes the view that patriotism was the last refuge of the scoundrel. Twain also disliked sending Christian missionaries to Africa. He said they had enough business to be getting on with at home: with lynching going on in the South, he thought they should try to convert the heathens down there."
Dr. Robert Hirst is leading the Berkeley team, editing the text to prepare it for publication. "There are so many biographies of Twain, and many of them have used bits and pieces of the autobiography," Dr Hirst said. "But biographers pick and choose what bits to quote. By publishing Twain's book in full, we hope that people will be able to come to their own complete conclusions about what sort of a man he was."
Monday, May 24, 2010
Bibliophiles Delight
I finally finished the Harry Potter series. I guess I shouldn't say finally-- when I bemoaned how long it took me to read the 7 book series (2 months), people reacted with incredulous remarks of how that was not a long time to take. I guess it just felt like it. I loved the books so much, always wanted to read them (I liked them the way you do when a book is just delicious. You think about it when you can't read it and nothing brings you more satisfaction than to finally unlatch your brain and crawl in the story at the end of the day...sigh. Is this just me? It can't be.), and considering how easy the first several books in the series were, it just felt like forever. A measly nothing compared to some friends of mine who, from H.P. onset, had to wait a year between each book. Sometimes more-- one friend took 8 years to complete the series due to the epidemic we Bibliophile's refer to as "release waiting".
I loved this book best of all. It showed Harry's dark and light, with more balance than the previous books. Harry was what you wanted and expected him to be. A friend whose personality you knew well and could predict. That was the other fun part of Deathly Hallows, being able to predict with authority different mysteries along the way, just from your absorption in each character and the different spells and places and names that seemed alive-- you know your magic if you've made it this far. JKR is brilliant. Absolutely brilliant. Every little detail is important. Everything. In a way that leaves no stone unturned, but not in a irritating fashion. It's concise. It grabs you and it feels real.
The last 100 pages were almost agonizing in their emotional force. The book was immediately on a whole different level than all the editions before. I am talking 2nd. page into the book, it was darker and more intense-- a higher level of writing, a deeper level of what you knew was coming from the beginning. A terrible cost. Even JKR's vocabulary choices. It's elevated and therefor all the more impacting. Voldemort comes into his full stride, completing his ultimate symbolism of the dark side of man and the spirit, and it is terrifying. These characters that you feel you know are in life or death situations for over 700 pages. It's utterly gripping.
I felt like I had said goodbye to an old friend at the end. That's always a good thing for a reader.
Yeah, it's a young adult story. Clearly. But it has a wonderful message and unbelievably inspiring characters and situations that teach lessons that all ages could do well to heed.
I treasure my books. If you've been to my house, you know this. If you went in my room as a kid or teenager, you'd know this. My life has been surrounded with books. Rarely loaned and often cleaned, they fill my home. I have Harry Potter sitting beneath my fireplace, in the center of my living room. Just to make sure I can keep an eye on them.
"Would I?" asked Dumbledore heavily. "I am not so sure. I had proven, as a very young man, that power was my weakness and my temptation. It is a curious thing, Harry, but perhaps those who are best suited to power are those who have never sought it. Those who, like you, have leadership thrust upon them, and take up the mantle because they must, and find their own surprise that they wear it well."
They are hostile nations
BY MARGARET ATWOOD
i
In view of the fading animals
the proliferation of sewers and fears
the sea clogging, the air
nearing extinction
we should be kind, we should
take warning, we should forgive each other
Instead we are opposite, we
touch as though attacking,
the gifts we bring
even in good faith maybe
warp in our hands to
implements, to manoeuvres
ii
Put down the target of me
you guard inside your binoculars,
in turn I will surrender
this aerial photograph
(your vulnerable
sections marked in red)
I have found so useful
See, we are alone in
the dormant field, the snow
that cannot be eaten or captured
iii
Here there are no armies
here there is no money
It is cold and getting colder,
We need each others’
breathing, warmth, surviving
is the only war
we can afford, stay
walking with me, there is almost
time / if we can only
make it as far as
the (possibly) last summer
I have discovered a side of Margaret Atwood
self more easily
than I can change you
I could grow bark and
become a shrub
or switch back in time
to the woman image left
in cave rubble, the drowned
stomach, bulbed with fertility
face a tiny bead, a
lum, queen of the termites
or (better) speed myself up,
disguise myself in the knuckles
and purple-veined veils of old ladies,
become arthritic and genteel
or one twist further:
collapse across your
bed clutching my heart
and pull the nostalgic sheet up over
my waxed farewell smile
which would be inconvenient
but final."
Friday, May 21, 2010
Louisa May
— Oscar Wilde
Hey Jude
If you're smart, you'll click here:This incredible dance is preformed by Matt Lock, from Off Broadway Dance Academy where I used to teach/dance.
http://dancemedia.com/v/3874
John Donne
As yet but knocke, breathe, shine, and seeke to mend;
That I may rise, and stand, o’erthrow mee,’and bend
Your force, to breake, blowe, burn and make me new.
I, like an usurpt towne, to’another due,
Labour to’admit you, but Oh, to no end,
Reason your viceroy in mee, mee should defend,
But is captiv’d, and proves weake or untrue.
Yet dearely’I love you,’and would be loved faine,
But am betroth’d unto your enemie:
Divorce mee,’untie, or breake that knot againe;
Take mee to you, imprison mee, for I
Except you’enthrall mee, never shall be free,
Nor ever chast, except you ravish me.
- Batter My Heart, Three Person’d God (Holy Sonnet XIV)
The Silver Chair
- C.S. Lewis.
Thursday, May 20, 2010
The Way to the River
by W. S. Merwin
The way to the river leads past the names of
Ash the sleeves the wreaths of hinges
Through the song of the bandage vendor
I lay your name by my voice
As I go
The way to the river leads past the late
Doors and the games of the children born looking backwards
They play that they are broken glass
The numbers wait in the halls and the clouds
Call
From windows
They play that they are old they are putting the horizon
Into baskets they are escaping they are
Hiding
I step over the sleepers the fires the calendars
My voice turns to you
I go past the juggler’s condemned building the hollow
Windows gallery
Of invisible presidents the same motion in them all
In a parked cab by the sealed wall the hats are playing
Sort of poker with somebody’s
Old snapshots game I don’t understand they lose
The rivers one
After the other I begin to know where I am
I am home
Be here the flies from the house of the mapmaker
Walk on our letters I can tell
And the days hang medals between us
I have lit our room with a glove of yours be
Here I turn
To your name and the hour remembers
Its one word
Now
Be here what can we
Do for the dead the footsteps full of money
I offer you what I have my
Poverty
To the city of wires I have brought home a handful
Of water I walk slowly
In front of me they are building the empty
Ages I see them reflected not for long
Be here I am no longer ashamed of time it is too brief its hands
Have no names
I have passed it I know
Oh Necessity you with the face you with
All the faces
This is written on the back of everything
But we
Will read it together