Wednesday, June 13, 2018

Blindness


2. wide
Monica Youn

The “wide” is always haunted by surprise. In a dark world, the “wide” is the sudden door that opens on unfurling blackness, the void pooling at the bottom of the unlit stairs. To be bounded is our usual condition; to be open is anomalous, even excessive.

A wide-eyed girl is extreme in her unliddedness, her bare membranes flinching at any contact, vulnerable to motes, to smuts, to dryness. A wide-hipped girl extends the splayed arches of her body to bridge the generational divide. A wide-legged girl unseals a portal between persons; she is disturbing to the extent that she is open to all comers, a trapdoor that must be shut for safety’s sake. A wide-eyed girl is often thought desirable; a wide-hipped girl is often thought eligible; a wide-legged girl is often thought deplorable. A wide-legged girl is rarely wide-eyed, though she may have started out that way.

We can understand why Milton, in the narrowing orbit of his blindness, would have considered wideness, unboundedness to be threatening. What’s less clear is why the wideness of the wide-legged girl is also considered threatening. Does the wideness of the wide-legged girl evoke a kind of blindness, a dark room where one might blunder into strangers, the way two men once met each other in me?

Audrey at barre







Richard II, Act II, scene i



"This royal throne of kings, this scepter'd isle,
 This earth of majesty, this seat of Mars, 
This other Eden, demi-Paradise."

The Accounts



The nest was at rest for a time, not being
made. Before the eggs were laid, it softened.
The robin sleeping. Inside the house,
the sound of laundry
in the dryer, the sound of a zipper
tumbling inside
the apparatus, and shirts with buttons,
as well as napkins
and a tablecloth printed with blueberries
and stalks of lily of the valley, oval,
for the table with claw legs
and extra leaves for guests.


II.

In one account, the angels come, their hands
emerging from their wings like sentences
staying, as long as it takes,
for the windows to go from indigo
to black, as long
as it takes for a breath to land in the base
of the belly, in the cavity
wisdom tells us wisdom comes from
or first dwells in, before it navigates
the narrows of the throat, becomes mantra,
becomes guttural, becomes spit to aspirate
the language the mouth makes.
The native obligation of this account
to its subject is care. The form
of music the wind chime makes
registers the commitment
of a furious system, filled with
conviction, to the continued
transformation of what
is. Do not ask what has been
lost. Ask what changed. An instrument
of will, the guitar echoes this, a chord,
more reminder than absolute, the hand
arouses but does not create the scale.
In this way what rests gets taken up.


III.

In another, the mind makes a decision
to end its disorder. The mind wants first
to end the face. The subject
has had enough, one too many
figures walking through the orchard, the call
and response of conversation
become an imposition on some other world
unbroken by the idea of separate bodies,
an idea one has never been convinced of,
and so now it is a relief to believe
what one has suspected, that separation
a trick of perspective, though such a revelation
does not undo the fatigue of existing
in the continuing illusions of others. And yet, the obligation
to be kind, to show interest in strangers
when they visit with flowers, to family
whose hands are empty, and to doctors,
not to mention the pain.


IV.

In the last account, the explosions
are too small to be seen, and oxygen
takes both thirst and hunger away
as it ceases to find a home in the lungs,
and the patient, having ceased to feel, ceases
to breathe, as the heart shuts down
before the brain and shuts
the dreaming down, the settling on a nest
of images, not feeling any form of distress.
The pathways to distress are blocked,
but the senses doubled, the ears know
the house more than they ever did,
whose clothes occupy the dryer,
which voice accompanies water.


V.
Angels be patient with this subject.
I know what she would say to you
if she could speak,
                                 if she could see
you just inside the window whose top right
pane frames what we call a family,
when the almost mother bird
finishes what she is thinking about,
barely but still hidden from sight.
If you stopped to look at the nest
you would see a sleep so purposeful
the ladder of adoration would reverse
and you would stay on earth.

- to shatter -

Palinode

1.
a bird / falls off / a balcony / panicked grasping / fistfuls of / air
2.
I was wrong
please I was
wrong please I
wanted nothing please
I don’t want

Gene Kelly







Tuesday, June 12, 2018



https://electricliterature.com/how-a-1960s-japanese-novel-turned-an-atheist-into-a-believer-sort-of-46102b169239

"Life went on. I went to university for eight years and got a Ph.D. I took the only job I could get working minimum wage, and lost the will to live. Work is the sudden goodbye to being a young person who dreams of contributing anything of value to the world, and the slow hello to being an adult with an ending, resigned to living out the same day, over and over and over again until it’s over and you die and become one with the empty howling meaninglessness under everything. When I was at university I read books for a living. When I left I had to read books to stay alive, to be anywhere but where I was. I was still me, but didn’t know what I thought anymore."